Around the World in Eighty Days / Greed and Value
Returning to the Indian, whose small, sharp eyes, glistening with avarice, betrayed that with him it was only a question of how great a price he could obtain. Fogg offered first twelve hundred, then fifteen hundred, eighteen hundred, two thousand pounds. Passepartout, usually so rubicund, was fairly white with suspense.
Microstory
The Indian stood rigid, his glistening eyes darting between Fogg and the stacks of gold, each glimmer a tantalizing promise. With every escalating offer, the weight of anticipation wrapped around Passepartout's heart, transforming his jovial demeanor into a ghostly pallor. The air thickened with tension, the room pulsating as greed and desperation tangoed in a silent battle, whispering secrets of worth hidden beneath layers of culture and commerce. (AI-generated story)
The depiction of the Indian's 'small, sharp eyes' embodies a significant motif of greed that permeates the narrative, reflecting broader themes of colonialism and the exploitation of cultural artifacts. The progression of monetary offers by Fogg underscores a transactional nature of relationships in this context, suggesting that value is measured in financial terms rather than cultural or moral worth. This tension highlights the often exploitative dynamics present in colonial encounters, where indigenous peoples' desires are manipulated for European gain. Furthermore, Passepartout's transformation from 'rubicund' to 'fairly white with suspense' serves to emphasize the emotional stakes involved, drawing the reader into the moral complexities of the situation. (AI-generated commentary)