Twenty Thousand Leagues under the Sea / Nature versus Technology
Besides, to work was to quit the _Nautilus_, and breathe directly the pure air drawn from the reservoirs, and supplied by our apparatus, and to quit the impoverished and vitiated atmosphere. Towards evening the trench was dug one yard deeper. When I returned on board, I was nearly suffocated by the carbonic acid with which the air was filled—ah!
Microstory
As the evening sun dipped below the horizon, casting a golden light through the narrow portholes, Thomas felt a shiver pass through him. The air in the _Nautilus_ thickened, laden with the acrid bite of carbonic acid, pressing against his chest like a weighted blanket. With each desperate breath, the thought of the trenches he had dug outside gnawed at him—a fleeting freedom, where the cool sea breeze whispered promises of life, a stark contrast to the sterile confines that threatened to consume him. (AI-generated story)
The tension between the artificial environment of the _Nautilus_ and the natural world highlights a key theme in Jules Verne's exploration of human ingenuity versus nature. This moment emphasizes the suffocating limitations imposed by technological advancement, as the protagonist grapples with the paradox of seeking fresh air yet being confined within a crafted space. The air quality serves as a metaphor for the larger existential concerns of progress during the Industrial Revolution, where advancements come at the cost of natural well-being. By illustrating the oppressive nature of the submarine's atmosphere, Verne critiques the potential alienation from the very essence of life that technological progress can bring. (AI-generated commentary)